Political Sculpture

The Bristol Statues - BLM protest artist replaces statue removed by BLM of Bristol founder Edward Coulston.

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Black Resin statue of Jenn Rein - BLM protestor

Article in The Inquisitr shows Tweet by Artisit Mark Quin explaining his inspiration behind the sculpture when he saw Jen Rein make a black power fist salute after the removal of Edward Colston statue in Bristol.  The irony of this expression is it denotes one race only, while the mantra of BLM is that whites are racist.

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Colston statue Bristol - toppled by BLM protest. (C. Daily Mail nurphoto PA images.)

Marc Quinn - 'Identity' propaganda artist

Quinn's BLM protestor statue made good promotion for his work, stating it was only meant to be temporary.  How did he have the nerve, and how did he get away with it?

Quinn is considered a superstar in the social justice art world: one of the YBA (young British artists of the 90's) contemporary with Damien Hirst and Tracey Emin, concerned with 'identity', which explains why the media treat him as a superstar 'godlike'.  The fact that TV channels were there to film it being erected in the early hours, shows their 'worshipful following' with complicit political purpose to their promotion of the BLM movement, which is of very questionable origins.

Quinn works with placenta and faeces, transgender transformation. Who'd have guessed!  He also made a rather self obsessed sculpture of his own head made in 9 pints of blood 'hyper realism'.  Interview by Culture Whisper.

His Instagram shows involvement with gender identity and LGBTQIA.  for those who think 'identity politics have gone too far, its artists like Quinn which are giving it 'god like' status, just as the 'arts' have been given by the media.

Further exploration of Quinn's work on this site.

Bristol Statues Protest

Bronze statue of Edward Colston, 17th century trader, was removed and thrown into Bristol docks during a 'Black Lives Matter' protest July 2020.  The empty plinth was given a new statue of a BLM protester Jen Rein, entitled "A Surge of Power", but removed by Bristol City Council within 24 hours, who said there needed to be a concensus for a new statue. They were then implicitly allowing vandalism; fearful of any BLM backlash if they kept law and order.   Many news reports covering details of this calamity.

Nick Ferrari of Talk Radio makes point of police making hapless and helpless comment of being without tools, when not stopping toppling of statues.  They had been commanded to allow it to happen.  Police are supposed to support law and order, and not support disorder.

BLM trained marxists

This socially hyped situation is NOT just some angry students making themselves heard, neither in UK as in America.  Investigative trails discover it is a sinister organisation, funded by NGOs, such as bankster Soros foundation.  Videos blatantly show blacks stating they are Marxist trained.  Young schoolgirls are 'captured' by the internet and trained to turn up and how to behave during protests.  The new Marxism is training its army; or so it thinks, when it fact it is just a divide and conquer strategy from hidden forces who have an agenda.

The Left's Long March through The Institutions

Discussion panel: led by Peter Whittle with Melanie Phillips explain how things have reached this stage.

Art Dystopia

Nihilism of Live Spy Surveillance Drone and Ice Cream

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'The End' sculpture in Trafalgar Square.

Temporary sculptures occupy the 4th plinth in Trafalgar Square.  Seen by millions, it would be a great place to put a really informative or resonant message. However, this latest 'art' July 2020 has only a nihilistic statement; at best a joke. One glance and its over: who would want to even look at it again because we all know what a swirl of ice cream looks like.  Maybe its a weakly contrived nod to tourism in central London.

It has the weak journalistic content of a drone; not even in mechanical detail, but one which appears similar in size to the two flies!  Scientifically, insect sized drones have been designed, though not widely known.  The drone is actually a real surveillance camera with live stream.  Its hard to see the connection with anything by the artist's decision to add a 'drone' image to the flies on her ice cream, other than the fact of the increasing ubiquitousness of drones in daily life techtopian surveillance, and that they might land anywhere to do this job, like a fly.

Entitled 'The End' at least that represents the nihilistic approach of this work. There is a slight beauty in the swirl of the ice cream, but its common place and ruined by the ugliness of flies and drones, which is obviously, and simplistically, the purpose.  Additionally the artist was inspired to make it after the 2016 US Presidential Election; from which we can only presume she wasn't happy with the outcome! Like many artists she will be in line with Democrat and liberal responses, subjected in UK to the anti-Trump propaganda machine.

“For me we’ve been at a point of some kind of entropy for a long time,” she said. “When I was thinking of this work there was a sense for me of an undercurrent that was already there. . . . This feels like a continuation for that.” But there is “the chance for radical change inside any ending,”   Heather Phillipson, Guardian Interview

There is also a perverted factor in this work adding to the dystopic references, represented by the cherry, used in other artists' works to represent gender issues, especially LGBT and transgenderism; whether the young female artist Heather Phillipson is aware of this symbolism or not.

Mayor's Office Video of unveiling of 'The End' shows the fly in more detail, and the rotor blades moving on the drone.

The National Review also thinks this sculpture is more a curse than a thing of beauty, and asks if people being filmed by the drone and watched by anyone anywhere, is not an infringement on their liberty.  Would they even be aware they are being filmed?

"...by far the ugliest and most vacuous — a 30-foot lump of steel and polystyrene resembling a melting dollop of whipped cream with a fly, cherry, and drone on top."

A poorly written observer article: https://observer.com/2020/07/heather-phillipson-the-end-trafalgar-square-fourth-plinth-livestream-drone/

Sculpture of Social Engineering

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Covid nurse, Riga, Latvia. Image from Twitter

Covid statue 2020, Riga, Latvia.  This is the disneyfication of sculpture and disease, and misses the whole essence of sculpture, to carry ideas of important historical moments into the future; a future which might not look well on such a banal simplistic depiction of an illness.  To start with its a bit boring and ugly in its actual sculptural execution.  Colours are not necessary to depict a killer disease.  Natural copper or brass will do, and eventually blend in with the environment of nature and buildings.

The face has no expression. Masked, the eyes could be 'tired' but they are also 'mesmerised' to obey the Coronavirus 'god' of fear and distancing, as part of the new medical tyranny.  It also fuels encouragement of the control symbolism governments have enacted, forcing distancing, forcing people to wear masks; a cartoon image, without any sublime beauty of line and form, seemingly pitiful of itself.  Its a bit blind, like the march of socialism; "the glorification of Marxist 'hive mind' ".

The sculptor's concept could have included something of the patients, more about direct care.   Its cartoon quality is like a 'piece of news' turned into art.  In fact it is not 'Art', it is just a big simplistic image in 3D without finesse of any kind. It looks as if it was commissioned to an industrial concern, who simply reproduced an internet image in large 3D form, on a 3D printer.

Also, a human sized statue if they must, outside their hospital, would be reasonable if many have died there; but to have one so huge, 20ft, is disneyesque, to make out Covid-19 is the most important thing ever to have been fighting, and is about everyday nurses as 'heroes'.   To have such a large figure is like saying Covid is bigger than anything; almost as if to say Covid is there forever.  Open arms don't only symbolise eagerness to meet the disease challenge, but unknowing, and helplessness.

A photo installation board, showing nurses with patients would have been more interesting and relevant to show suffering and healing.  Alternatively, a well designed abstract sculpture, symbolising disease with the covid virus 'corona' cell image and a mask would have carried more weight.  The Corona image would have informed into the future, and with a mask would have shown its contagion.

[Note: Source funding links, sculptor name and reasoning?]

Covid Sinister Agenda

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World Economic Forum - Covid planning integrated
I studied the WEF Reset graphics early - about April 2020.  Covid had already been highly planned to integrate with every aspect of their plans.  This is a banksters reset under guise of faked pandemic, whether a bioweapon illness or not.

July 2021: Doctors and lawyers speaking out in analysis of Covid falsifications.

Dr. Andrew Kaufman, psychiatrist, believes the Covid variant sequencing is only computer modelling.  David Martin, lawyer gave evidence to Reiner Fuellmich's Corona Ausschuss lawsuit describing all the Patents on Coronaviruses and details on how the sequencing is only computer modelling.

“The right hand doesn’t know what the lefthand is doing”

“From scientific establishment perspective. Few report on how they do the computer genome sequencing because they make it impossible to understand.”

Three different disciplines: computer scientists who know knowing about biology, geneticists who know nothing about viruses, and virologists.

“No one fully understand that the whole thing is a sham.”

Dr. Andrew Kaufman (almost exact wording, adapted for sentencing)

News of so many adverse reactions to vaccines, is making people question the entire Covid strategies of medical agencies and governments.

Dr. Peter Malone, inventor of mRNA vaccine science admits the vaccines aren't good for everyone, and warns they are not suitable for children.

"...'public private partnerships' The monopolisation and consolidation of power in every field imaginable - the monetary power is going to be consolidated under the central bank digital currency - CBDC  ...the corporatisation to be in fewer and fewer hands"   ~  James Corbett.  Corbett Report; the Great Reset.

September 2020 - The NUMBERS Hoax is UP!     CDC updated their Covid death number to admit that only 6%, i.e 9,000 of 153,504 deaths were attributable to Covid!

The Gateway Pundit covers the story, which they suspected back in March.

"Developing and patenting Coronavirus has become a biotech arms race with political overtones"

David E Martin Phd, National intelligence analyst appearing on Plandemic 2.  Documentary discovers the fraudulent Patents of the CDC Center for Disease Control - August 2020

https://plandemicseries.com  Video downloadable 

David E Martin, Phd., looks for companies which "...either blur the line between biological and chemical weapons or cross that line; in 168 countries..."

In 1999 a million patents were digitised by IBM, the first time that human innovation had been put into an electronic digital searchable format.  Martin took that information and using linguistics genomics technology he made the horrific assessment that approx one third of all patents filed in US were functional forgeries.

In March 2003 a coronavirus outbreak in Asia was a gold strike for the CDC; a virus which could be easily manipulated, so they made sure that they controlled the proprietary rights to the disease. the virus and to its detection; all the measurement of it. They controlled 100% of cashflow which built the empire around the industrial complex of Coronavirus.

2012-13: National Institute of Health (US) had a moral and legal reason to create a moratorium on research and stop funding of ‘gain of function’ research on Coronavirus:  ‘Role of uncharacterised genes in high pathogenic human coronavirus infection’ - Ralph S. Baric, PhD project Leader'

"Developing and patenting Coronavirus has become a biotech arms race with political overtones".

By 2014, after funding ceased, they off-shored the research by channelling funding gradually through various agencies (Martin shows); setting up the research in Wuhan Bio weapons lab.

W.H.O. Global Take-over

Many people have been investigating the statistics of Covid-19 (SARS-Cov-2) due to the fraudulent guidelines on Covid diagnosis, including 'cause of death emergency guidelines'; given by World Health Organisation (WHO), the results of which have been briefed to countries by governments.  Nurses and doctors are coming forward with stories of fraudulent practice; as they are being asked to give people a Covid diagnosis (however the WHO guidelines have been interpreted by PHE).

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Corbett Report examines the WHO in detail: "Who is the WHO?" Questions for Corbett #066

It was supposed to be a 'milestone in the history of human rights' but now it seems to have too much control and too much geared towards the pharmaceutical industry, now the WHO business is PANDEMICS.

Article 29: 'These rights and freedoms may in no case be exercised contrary to the purposes and principles of the United Nations.'    This means everything has to be the WHO's way.

'The health of all peoples is fundamental to the attainment of peace and security and is dependent upon the fullest co-operation of individuals and States.' - Corbett explains how this implies people must comply and cooperate to achieve bio security.

A big question is how much are the WHO propagandise merchants for pandemics as an agent of big pharma?

They declared 'a pandemic for the relatively mind H1N1 outbreak (2009) in order to trigger billions of dollars of automatic vaccine contracts.'  Also the WHO changed their definition of 'pandemic virus' just as it was considering whether the emerging swine flu fitted that criteria.  They changed it from 'enormous numbers of deaths'  to a 'mild pandemic'.  Their flu pandemic definition changed from April 2009 as needing 'enormous numbers of deaths' to 'an influenza pandemic may occur when a new influenza virus appears against which the human population has no immunity.' (just prior to declaring H1N1 a pandemic)  ~

Report: Council of Europe: The Handling of the H1N1 Pandemic: More Transparency Needed. (2010)   The BMJ also noted conflicts of interest on the advisory panel which was advising the WHO on H1N1.

BMJ notice of change of pandemic definition. (Update note July 2021: VERY IMPORTANT, being used in Reiner Fuelmich's Class Action Lawsuit - Crimes against humanity.)

William Engdahl - WHO 'Swine Flu Pope' under investigation for gross conflict of interest. - (2009) [Corbett's articles]

English Journalist (ex doctor) Vernon Coleman is very vociferous on all matters 'covid'.

He is, like American Alex Jones, confident of the medical tyranny hoax. I would differ in believing there was a bioweapon, or a new strain of pneumonia, or flu radiated with 5G, which didn't kill many for very long, only affecting elderly with premorbid conditions.

The Screw is Tightening ~ Vernon Coleman (daily videos 2020)  but as of September Vernon is no longer putting videos on YouTube as 20 have been taken down.

Vernon Coleman is a doctor who has written extensively about vaccine since 1970s 'The Medicine Men', and is extremely concerned by all aspects of the Covid cull scenario.  His YouTube videos are being banned. He now is seen on Brand New tube and Odysee.

Peerless Reads Youtube channel

Using government data to explore the rise and fall of Covid-19 through governments' own numbers and the graphs, to expose potential fraud.

Professor Neil Ferguson of Imperial College caused fake prognostics for the spread of the disease; all encouraged by Bill Gates. Statistics seem to be created to fit his model, which he has admitted is a wrong algorithm [find article]